Milken Archive of Jewish Music - Volume Details - - Photos

You must have Javascript enabled to view this site. Please enable javascript then refresh this page.

Loading...

Milken Archive>Volumes>>Photos

Volume

Related Content

Choose a track to play

00:00 / 00:00

No Work Selected Purchasing Options

Purchasing Options

Buy on Amazon Buy on iTunes Buy on Classics Online

Page:

1

of 3

Look For:

Sort by:

-

Conductor Timothy Koch. Milken Archive recording session. Hattiesburg, Mississippi.	Members of the University of Michigan Opera Chorus. Milken Archive recording session, University of Michigan. Ann Arbor, Michigan.	Kenneth Kiesler and members of the University of Michigan Symphony Orchestra. Milken Archive recording session, University of Michigan. Ann Arbor, Michigan.	Kenneth Kiesler conducts the University of Michigan Symphony Orchestra. Milken Archive recording session, University of Michigan. Ann Arbor, Michigan.
Pei Yi Wang. Milken Archive recording session, University of Michigan. Ann Arbor, Michigan.	Dave and Iola Brubeck. 1971.	Charles Davidson conducting at Congregation Adath Jeshurun. Elkins Park, Pennsylvania. ca. 1970s.	Jack Gottlieb.
Jack Gottlieb with conductor Stephen Sturk, former director of the New York Motet Choir and a nationally recognized composer of church music.	Charles Davidson talks with Barry Serota. Milken Archive Editorial Board Meeting. Santa Monica, California.	Charles Davidson. Milken Archive Editorial Board Meeting. Santa Monica, California.	Dave Brubeck. The Gates of Justice recording session, Goucher College. Baltimore, Maryland.
Illustration of the golem by Philippe Semeria. The Hebrew letters, aleph, mem, thet, spell the word emet (truth). Removal of the aleph, which renders the word met (death), is one means of disabling the golem.	Robert Abelson.	Sheet music cover for Der disvasher featuring composer Herman Yablokoff in costume.	Composer Gershon Kingsley conducts the Moog Quartet. 1968.
Gershon Kingsley with Robert Moog, inventor of the Moog synthesizer.	Album cover for the first commercially available recording of Shabbat for Today. Designed by Daniel J. Surak. While the first performance of the work in 1968 was denounced by some as sacrilegious and irreverently sensational, Shabbat for Today eventually gained acceptance and was performed more than 150 times.	Michael Isaacson and Robert Starer in studio, Brooklyn College. New York, New York. 1968. Isaacson started graduate studies at Brooklyn College under the tutelage of Robert Starer.	Michael Isaacson and Robert Starer, Brooklyn College. New York, New York. 1968.

Page:

1

of 3